Play Along Piano

Tags

Opera

In diesen heil’gen Hallen

rdr713

2:23	Est. Play Time
30	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	32	1	6	100%
	20	30	1	3	92%
Bass	13	0	1	5	91%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	32	1	6	100%
	20	30	1	3	92%
Bass	13	0	1	5	91%

HWV1A3N4 - Du stolzer Erdenkreis!

edward.maurath

2:22	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	29	1	3	89%
	19	19	3	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	29	1	3	89%
	19	19	3	4	100%
Bassoon Continuo	13	0	1	4	100%
Violoncello Continuo	13	0	1	4	92%
Violone Continuo	13	0	1	4	92%
Oboe	15	0	1	4	82%
Tutti Unisoni	15	0	1	4	82%
Bass as Consalvo	11	0	2	5	60%

HWV1A3N44 "Hoffe nur der rechten Zeit" (choral fragment)

edward.maurath

0:40	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	12	13	3	5	100%
	12	10	2	5	92%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	12	13	3	5	100%
	12	10	2	5	92%
Organ	12	13	3	5	100%
	12	10	2	5	92%
Soprano	8	1	1	5	77%
Bassoon	9	0	0	5	75%
	9	0	0	5	75%
Celli	7	0	0	5	75%
Kontrebaß	7	0	0	5	75%
Tenor	8	0	3	5	70%
Bass	9	0	0	5	67%
Viole	3	0	0	5	67%
Violini	12	0	2	5	67%
Oboe	9	0	2	5	55%

Gounod, Faust: Choeur des soldats (1st part)

Mélisande

1:07	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	48	8	6	84%
	24	35	7	6	71%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	48	8	6	84%
	24	35	7	6	71%
B1	13	0	5	8	91%
B2	11	0	1	8	91%
T1	15	0	4	8	91%
T2	15	0	6	8	91%

Se il Rigor

MarcosMolina

4:03	Est. Play Time
81	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	31	36	8	9	84%
	22	18	3	4	84%
Voice	15	0	3	7	83%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	31	36	8	9	84%
	22	18	3	4	84%
Voice	15	0	3	7	83%

Het mes

romainsings

1:28	Est. Play Time
22	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	13	2	7	95%
	14	14	3	5	93%
Contre-ténor	15	0	3	7	90%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	13	2	7	95%
	14	14	3	5	93%
Contre-ténor	15	0	3	7	90%

Mozart : Die Zauberflöte : In diesen Heiligen Hallen

Haricophile

3:22	Est. Play Time
30	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	48	1	6	100%
	29	34	2	4	89%
Basse	13	0	1	5	91%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	48	1	6	100%
	29	34	2	4	89%
Basse	13	0	1	5	91%

LA BELLE HÉLÈNE d’Offenbach : Chœurs - Partie 4/11 N° 7 Voici les Rois

Papibois

1:13	Est. Play Time
37	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano 1-2	30	47	10	5	100%
	25	18	7	7	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano 1-2	30	47	10	5	100%
	25	18	7	7	100%
Basse 1	10	0	1	6	81%
Basse 2	11	0	1	6	81%
Soprano 1	12	0	1	6	81%
Soprano 2	13	0	2	6	81%
Ténor 1	11	0	0	6	81%
Ténor 2	9	0	1	6	81%

Introduccion_y_gran_aire_Marcial_de_la_Opera_de_las_Treguas

rufinb

5:26	Est. Play Time
139	Measures
	3,021Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	16	0	4	7	98%
Violas	23	18	7	7	98%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	16	0	4	7	98%
Violas	23	18	7	7	98%
Contrabasses	16	0	4	8	97%
Violins I	32	9	12	9	97%
Violins II	28	28	10	8	97%
Bassoons	24	0	7	9	95%
Horns in E♭	14	0	4	9	92%
Clarinets in B♭	20	0	6	9	86%
Trumpets in E♭	18	0	6	8	84%
Ophicleide or Tuba	15	0	4	7	82%
Oboes	21	0	6	9	78%
Flutes	16	0	5	9	70%
E♭ Trumpet 2	10	0	0	5	13%
Horn in E♭2	8	0	1	6	9%

Die Miestersinger Prelude to Act III - Richard Wagner.

Jamie Holdham

0:01	Est. Play Time
30	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncelle.	15	0	3	6	84%
Bratsche.	11	0	3	5	58%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncelle.	15	0	3	6	84%
Bratsche.	11	0	3	5	58%
2.	8	0	2	4	32%
1 Violinen.	7	0	1	4	26%
Fg.1	8	0	2	5	26%
Fg.2	9	0	2	7	26%
Hr.1 in D.	8	0	1	5	26%
Hr.2 in D.	5	0	0	3	26%
Hr.3 in D.	4	0	1	3	26%
Hr.4 in D.	6	0	1	4	21%
3 Pos.	7	3	1	2	16%
2 Trp. in D.	3	1	1	3	11%
B.T.	2	0	0	2	11%

Donne mie, la fate a tanti (piano-vocal score)

Carlos E. Marrero

6:28	Est. Play Time
176	Measures
	1,095Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	49	10	8	99%
	32	49	8	6	99%
Guglielmo	14	0	3	6	86%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	49	10	8	99%
	32	49	8	6	99%
Guglielmo	14	0	3	6	86%

Wagner - Die Miestersinger von Nurenberg Overture to Akt 2. [Professional production full score.]

Jamie Holdham

1:03	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Hoboen.	18	13	5	8	100%
Klarinetten in B.	18	16	5	8	100%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Hoboen.	18	13	5	8	100%
Klarinetten in B.	18	16	5	8	100%
Floten.	18	4	5	8	97%
I. Violinen	28	2	5	11	97%
Bratsche.	22	2	4	10	97%
II.	22	15	5	11	95%
III IV in D.	17	12	3	7	95%
Violoncello.	17	1	1	9	93%
Flute	17	2	4	8	90%
Fagotte.	13	7	2	4	87%
I II in F. Hr.	16	15	5	7	75%
KontrabaB.	15	0	1	4	59%
Trompetten in D.	6	0	0	5	50%
Kleinen Floten.	10	0	2	4	31%
Oboe	9	0	2	5	14%

Lohengrin Vorspiel to Akt 3. {Professional production full score.} Unfinished.

Jamie Holdham

0:12	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Clarinetten in A. 2.u.3.	12	0	2	7	100%
1. Floten. 2.u.3.	13	0	3	10	100%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Clarinetten in A. 2.u.3.	12	0	2	7	100%
1. Floten. 2.u.3.	13	0	3	10	100%
1. Hoboen. 2.u.3.	9	0	1	3	100%
1.u.2. Horner in G. 3.u.4.	12	9	4	5	100%
1.Violine.	13	0	3	10	100%
2.Violine.	14	0	3	9	100%
A Clarinet	14	11	3	6	100%
Bratsche.	14	0	4	9	100%
Flute	13	8	2	5	100%
Horn in G	12	9	4	5	100%
Oboe	14	12	3	6	100%
3 FAGOTTE.	18	12	4	2	91%
Contrabass.	12	0	1	2	86%
Violoncell.	13	1	1	2	86%
3 Trompeten.	11	6	2	4	67%
3 Posaunen.	7	3	1	2	50%
BASS-TUBA.	4	0	0	2	43%
Pauken in G u.D.	2	0	0	2	43%

Love Is like A Rebellious Bird (L'amour est an oiseau rebelle) - CARMEN (Bizet)

Amanda Tholhuijsen-Quick

1:07	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	13	0	3	7	91%
	12	5	2	3	93%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	13	0	3	7	91%
	12	5	2	3	93%
	23	6	4	5	93%
	9	1	0	3	100%

Lohengrin Vorspiel to Akt 2. {Professional production full score.}

Jamie Holdham

1:25	Est. Play Time
32	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Timpani	2	1	1	100%
Violoncellos	14	4	7	86%
Bassoon	7	2	3	21%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Timpani	2	1	1	100%
Violoncellos	14	4	7	86%
Bassoon	7	2	3	21%